Cuts on phrase boundaries
Cut points snap to narration phrase boundaries from word-level timing, so the edit breathes with the read instead of chopping across it. Shot-length targets tighten through escalation and loosen at resolution.
All capabilities
Capability · 05 of 07
An edit decision brief, written for an assistant editor.
Every cut carries a type, a timing and a reason — the same information a supervising editor would leave on a timeline.
Per cut
Type, timing, rationale
Sound design
Spot-effect cues
Pacing
Shot-length targets
Output
Machine-readable brief
Sound design as instruction
Spot effects, room tone changes and silence beats are marked with intent rather than left to taste, which makes the same brief reproducible across thirty episodes.
