Photographic parameters
Focal-length character, aperture feel, haze density and key-to-fill ratio are specified per shot. Describing optics rather than adjectives is what separates a frame that reads as photographed from one that reads as generated.
Capability · 02 of 07
Each shot entry is rendered as a graded still with motivated lighting, staged depth and reserved space for titles.
Masters
16:9 and 9:16
Depth
Three staged planes
Grade
One LUT per episode
Purpose
Keyframes for motion
Focal-length character, aperture feel, haze density and key-to-fill ratio are specified per shot. Describing optics rather than adjectives is what separates a frame that reads as photographed from one that reads as generated.
Subjects are staged in foreground, midground and background so the motion stage has genuine parallax to work with, and lower-third space is left clear for captions and graphics.
Sample output · Episode 07 · The Dead Sea Copper Scroll
Motion blocks in shot order, one graded still from the same set, and the normalised narration stem. Nothing here is conformed or colour-matched after the fact — this is the raw material you drop on a timeline.

Narration stem
Single-take read of the approved script, loudness-normalised and free of music so you can place your own bed and duck it where the edit brief marks it.