Photographic parameters
Focal-length character, aperture feel, haze density and key-to-fill ratio are specified per shot. Describing optics rather than adjectives is what separates a frame that reads as photographed from one that reads as generated.
Capability · 02 of 07
Each shot entry is rendered as a graded still with motivated lighting, staged depth and reserved space for titles.
Masters
16:9 and 9:16
Depth
Three staged planes
Grade
One LUT per episode
Purpose
Keyframes for motion
Focal-length character, aperture feel, haze density and key-to-fill ratio are specified per shot. Describing optics rather than adjectives is what separates a frame that reads as photographed from one that reads as generated.
Subjects are staged in foreground, midground and background so the motion stage has genuine parallax to work with, and lower-third space is left clear for captions and graphics.